The Three Corners of Reality

By Karolina Rupp Photography

There are three layers to our mind, the good, the bad and the grey areas in between that influence our understanding of things and our reality. We can't escape them, they are part of us inherently.

This photograph, taken on 120 film with a medium format camera, explores exactly that concept of being caught within our own realities and that everything is subjective essentially. We are fixed in that position, and still are trying to think outside of the box and explore even more profound topics just to realise over and over again that the moment a new thought is explored it becomes a cliché. We never stop discovering things but once found, place them neatly into one of the three corners of reality. It is the restlessness of blindly searching for answers to everyday questions that freezes us in time until the hunt is over, for now, and the collection of thoughts and ideas within the mind has been expanded once again. This process continues throughout life and only ends with death, this library we carefully construct through everyday living, that helps us to survive and cope with the reality we are living (in). To draw the concept closer to the photograph, it is necessary to explain the visual elements within this image. 

Firstly, a woman is portrayed a little blurry in the just off-center of the composition with the sleeves of her jersey rolled up, ready to run and explore. Behind her head three different types of walls meet, which represent the three corners of reality by having different shades of grey as one of their properties. These walls hold her within the composition and thus shows her being stuck and caught in her own reality. On the left a door can be recognised which demonstrates the human need to escape and think differently every now and then, but also to show that it is not used (it is closed) for a reason. On the right towards the back of the composition of this photograph random objects can be seen. These show that not everything is explored within our thoughts but at the same time if you would move closer you would know what these objects are, which reinforces the concept of the cliché as mentioned above.The setting was chosen as it is a familiar structure, our reality we live in. The fear of knowing what is out there and the subjective interpretation of the latter is shown through the closed eyes of the woman. Also having to fight your way through this reality, but doing so with closed eyes (eyes are closed towards ideas and things of others because they can only be subjectively perceived and thus become one own's thoughts and ideas) plays a role within this composition. In addition, the woman is a little unsure of her position within this/ her reality which is another reason her eyes are shut as she is essentially hiding away. Through that feature, the viewer of this photograph has the ability to judge and see but the subject decides to not perceive being observed in order to protect herself, like many do within this reality.

This photograph of mine will be exhibited at the end of the year. Watch this space for more details.